The Classic Primes feature uncoated elements throughout the lens, with the exception of the outward facing elements. Included are the same 10 lenses ranging from 14mm to 135mm, at T1.5 (except for the 14mm and 135mm at T2.0). * The Appearance and specifications are subject to change without notice. FF Classic Prime Line has implemented newly developed coatings on the glass elements and offers consistent T value across the lineup (14mm and 135mm at T3.2 and the rest of the lenses at T2.5). If you pay attention to this blog or the cinema lens industry, you’ll notice a plethora of “vintage” efforts, especially in the last year. Sigma recently announced that they are making a range of Classic Primes.Lenses that are said to create a vintage look have become increasingly popular and a lot of lens manufacturers such as Cooke, Tokina, and Canon have come out with lenses that are either uncoated or have minimal coatings.. DP Timur Civan shot a short test called “Operator” with the Classic Primes on a RED Monstro. Based on this product line, the FF Classic Prime Line incorporates more non-coated optical elements to achieve unrivaled expression. And if you know anything about me and my history in the world of cine lenses, you know my relation to Director’s Finders. Bato Prosic is a freelance director/cinematographer in love with the craft of storytelling, be it documentary or narrative. Expected ship date is September 2019. Sigma’s Classic Primes have a modified coating formula and the company claims that their Classic Primes will have a warm, vintage look from the ’70s with some flare and ghosting. But if you’re already convinced or you want more info as it’s released, find some more details and sign up to be on the early notice list here. Our Sigma Ambassadors share their secrets. But remove those coatings and you’ll begin to tax your T-stop. The optics are still based on their ART line which means they inherit the sophisticated optical design – producing crisp details while providing a gentle, pleasing character to the entire image. 【Common specifications】● PL mount (/i Technology compatible)● Image circle diameter: FF 43.3mm● Illumination circle diameter: over 46.3mm● Focus ring: Marked in feet● Number of diaphragm blades: 9 (rounded diaphragm), 【Product information】SIGMA GLOBAL VISION　https://www.sigma-global.com/en/cine-lenses/, 【Contact】For further information, please contact your local authorized SIGMA representative listed in the link below: https://www.sigma-global.com/en/about/world-network/Email: cine_contact@sigma-photo.co.jp, Sigma Corporation of America15 Fleetwood CourtRonkonkoma, NY 11779. So yes, they’re the same optical design as the original Cine Primes from Sigma, but without their advanced coatings the T-stop drops from T1.5 to T2.5. © 2020 All rights reserved. Sigma, to my knowledge, is the first manufacturer to openly acknowledge this by properly testing and marking their lenses. FF Classic Prime Line has implemented newly developed coatings on the glass elements and offers consistent T value across the lineup (14mm and 135mm at T3.2 and the rest of the lenses at T2.5). This will greatly contribute to the effective workflow in postproduction. In recent years, vintage lenses are consistently being hunted down by cinematographers for their nostalgic look and “in-camera quality.” Sigma noticed this trend which led to the development of their new line of primes. SIGMA’s new “Full-Frame Classic Art Prime” offers unrivaled expression for artists SIGMA’s answer to the demand for a classic, cinematic look from a prime lens is the brand new Full-Frame Classic Art Prime Line, compatible with 8K shooting with large format sensors, while achieving outstanding compact design. SIGMA Full-Frame Classic Art Primes. In the video above from The Slanted Lens, Jay P. Morgan and Kenneth Merrill compare three 35mm lenses for the Sony […] This new family of lenses is currently still under development. It retains the high resolution capability that SIGMA CINE LENS is well known for, and offers a unique combination of low contrast and artistic flare/ghost in the image. But with so many options on the market, how do they compare? Same gearing and build quality. No word yet on firm pricing. The first video is a simple lens test directly comparing the Sigma Cine Primes and the Sigma Art Classics. If this doesn’t make sense to you, drop me an email and I’ll sort you out. Let us know in the comments! Our ambassadors show off their best Sigma shots. The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS.FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors, while achieving outstanding compact design. FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors, while achieving outstanding compact design. Notify me when this product is available: Duclos Lenses is a proud member of the following: Sign up to get the latest on sales, new releases and more …. The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS. Our ambassadors show off their best Sigma shots. You're getting the best that this lens has to offer. This produces two notable results – the beautiful, character rich look that we’ve been hunting for, and a slower T-stop. * The Appearance and specifications are subject to change without notice. The front element and rear element have a special protective coating to improve durability and exposure to the elements. Sigma Corporation of America15 Fleetwood CourtRonkonkoma, NY 11779. What do you think about SIGMA’s new cine prime lines? To identify the lens in the shooting scene using a wide variety of lenses, and to provide the texture and quality suitable for professional tools, and the durability to support the harsh environment of cinema lenses. …the Classic Art Primes create an enigmatic and boisterous image. See whats possible with the Foveon X3 sensor. See whats possible with the Foveon X3 sensor. To re-create the look of vintage classic cinema, Sigma designed the lenses with fewer lens coatings but will include modern cine lens features to satisfy the needs of contemporary filmmakers. Excellence comes standard with these all-purpose lenses. This new family of lenses is currently still under development. – Hollyland Mars T1000 Intercom Review, Para Mount VESA for Production Monitors - Field Review, GoPro HERO9 Review - Mountain Biking and Comparison to the HERO8. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. Fitting the increased proliferation of full-frame cinema cameras, earlier this year SIGMA has announced two new lines of 10 full-frame PL mount cine lenses each, namely the new “Classic” line and the updated high-speed primes. Open new possibilities for your Sony E-Mount. Launch: End of 2019Only sold as a set of 10 primes. As with all other lenses from the FF High Speed Prime Line, it creates beautiful bokeh effects to improve creativity. They’ll still be the same size and weight. A prototype 40mm was presented in Tokyo on July 11. High-end experiences meet deep knowledge of Classic Primes. SIGMA FF Classic Prime Lenses add a new element coating to create creamy, traditional flaring for a unique cinematic look. Special Notice Regarding Offices and Service Due to Coronavirus, Sign Up for Our Newsletter for a Behind-The-Scenes Look. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, Atomos CONNECT – $79 HDMI to USB Converter for Streaming, Full Frame Camera Co. Canon C300 Mark III and C500 Mark II Accessories, Moment CineBloom Diffusion Filters Available, Sound Devices released Major Firmware Update v7.00 for 8-Series, Lupo 700 Smartpanel Review - Dual Color LED On-Camera Durable, Bright Light, "I can hear you, can you hear me?" Also super interested in the idea of the fp as Director’s FInder. The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS. Among the cameras able to utilize this are the ARRI Alexa & LF, RED, SI 2K, Sony VENICE, F55, F5, F65, F35, F3 and more.The applications for this technology are manifold: SIGMA is really entering the big leagues here. Sold Out The SIGMA “FF High Speed Prime Line” is being updated with PL mount versions of their previously available EF- and E-mount lenses. The downside of the vintage characteristics of the SIGMA “FF Classic Prime Line” is the slightly lower speed: where the HS primes mostly come in at T1.5, with the outer limits of the focal range, the 14mm and 135mm being slightly slower at T2.0, the “FF Classic Prime Line” is a full T-stop slower at T2.5, again with the 14mm and 135mm coming in at a slower T3.2. The 'Classic Art Prime' series aims to re-create the look and atmosphere seen in classic films of the 1950s and 70s. Alongside its other announcements, Sigma said it will introduce 'Classic' versions of its Cine prime lenses. SIGMA’s promo video, included in our previous report on these lenses, nicely illustrates these characteristics. While the HS primes are going for sharpness, speed, and control, the “Classic” line seems to be open to a more free and open way of expression, allowing for the creative use of flaring and ghosting, in a way that looks rather vintage and yet not soft or inconsistent. “Operator” is a short film shot in Los Angeles, CA by Sigma America Cine Pro, Timur Civan, Directed by Bhavani Lee. Click to email this to a friend (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Pinterest (Opens in new window), head on over here for more and to join the list, more details and sign up to be on the early notice list here, TLS Partners with Duclos Lenses to Support U.S. Customers. SIGMA always pursues "the best materials and technology" without compromise to achieve the highest quality. In related non-lens specific news – Kazuto Yamaki of Sigma announced another interesting product that we’re quite excited about. The /f stop of these lenses remains an f/1.4 since it’s simply part of their physical design. To achieve this, the lenses will be made with fewer lens coatings and with simpler, single-layer coatings where they are applied. The “look” that FF Classic Prime Line can offer will enable cinematographers to explore new possibilities in movie creation.From September 13th to 17th, SIGMA is going to display this new product at the IBC 2019 in Amsterdam, Netherlands. There’s a good chance that you want the speed because you crave a shallow depth of field. In his spare time he likes to test gear to the point of structural failure. Before you get all upset at the speed, don’t forget about the physics of what is happening here. Greater versatility, like several lenses in one. As with all other lenses from the FF High Speed Prime Line, it creates beautiful bokeh effects to improve creativity. "Operator" 2019 - Timur Civan - YouTube. I genuinely feel that this will be the future of Director’s Finders. JavaScript seems to be disabled in your browser. Are you excited to test them, or use them in your next production? Greater versatility, like several lenses in one. The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS. The source of this beautiful new image is a result of the coatings …or lack thereof. Fitting the increased proliferation of full-frame cinema cameras, earlier this year SIGMA has announced two new lines of 10 full-frame PL mount cine lenses each, namely the new “Classic” line and the updated high-speed primes. The upcoming Sigma fp camera. Both the SIGMA “FF High Speed Prime Line” as well as the SIGMA “FF Classic Prime Line” have Cooke’s /i Technology (the “i” stands for “intelligent”) included into their PL mounts. But the actual light being passed through the lens is reduced. Sigma FF Classic Primes have matched apertures across the set, or “iris” in cinematography, which are noted as T-stops. They’ll still be the same size and weight. So think of it as a permanently built in ND filter You’ll still calculate DoF as if the lenses are f/1.4, but you’ll light to a T2.5. SIGMA DP Timur Civan compares the two lens families. * From conventional cine lenses, it is not possible to apply for the Mount Conversion Service for this "FF Classic Prime Line". One of the most popular prime lens focal lengths is 35mm. Post was not sent - check your email addresses! This is one of the keys to higher speed lenses with more sophisticated optical designs of recent years. Sorry, your blog cannot share posts by email. Love that they are taking a “step back” from the “perfect lens” and introducing this line. I would be excited to see your comments on director’s finder! Available Exclusively as a 10-Lens Set. Thanks to a monolayer coating on both the front and rear elements, warmer color tones and a slower T-stop converge to create a dreamy nostalgia. Furthermore, it is compatible with the communication protocol of Cooke "/i Technology", thus an ideal tool for shooting and editing with the latest technology, such as VFX. This makes for nice images, but what nobody is considering is one of the primary functions of AR coatings… Light transmission. Superior image stabilization, in your hands. SIGMA launched their splendidly small, sharp, lightweight and affordable FF High Speed Primes at IBC 2016. Sigma Classic Prime 40mm T2.5 (FF) Sigma Classic Prime 50mm T2.5 (FF) Sigma Classic Prime 85mm T2.5 (FF) Sigma Classic Prime 105mm T2.5 (FF) Sigma Classic Prime … Most of the other specs will remain the same between the Classic and the regular Sigma Cine Primes. Design Details With cutting-edge technology, SIGMA's new "Classic Art Prime" offers unrivaled expression for artists. I have a number of there still and cinema glass. Original Cine Lenses. Watch the video then decide which better suits your needs. Sigma HS Cine Primes. Expected ship date is September 2019. Same gearing and build quality. Fortunately the best technique was at our production site, Aizu. Point and shoot simplicity, Sigma quality. $43,999.00. I am a big fan of Sigma lenses. Most of the other specs will remain the same between the Classic and the regular Sigma Cine Primes. I made a few videos to demonstrate their look, and effects. Based on the same popular optics as the original Sigma Cine Primes, the Classic Line features an all new coating formula; one which provides a truly unique quality not yet seen in a modern cinema lens. The coating on the lenses has also been refreshed to be more durable and thus able to help your lenses stand the test of time a little better. Now, three years later, SIGMA adds a new series: Full-Frame Classic Art Primes. All Rights Reserved. They’ll still cover Large Format sensors. A surprise awaits around every photon. Our Sigma Ambassadors share their secrets. Thanks to a monolayer coating on both the front and rear elements, warmer color tones and a slower T-stop converge to create a dreamy nostalgia. First of all – if you want more technical info on these lenses, head on over here for more and to join the list for updates… Taking inspiration from 70’s cinematography and prior, the un-coated lenses generate large warm-colored flares that are very reminiscent of said era. You must have JavaScript enabled in your browser to utilize the functionality of this website. What is interesting is that a standard Sigma Cine @T1.4 will have identical Depth of field as a Sigma Classic at T2.5 as the apertures and optics are the same. Every lens purchased from Duclos Lenses has gone through a quality check process with one of our trained technicians. * From conventional cine lenses, it is not possible to apply for the Mount Conversion Service for this “FF Classic Prime Line”. SIGMA DP Timur Civan compares the two lens families. It appears the new “vintage look” range will be based on the existing Cine Primes focal lengths, albeit a bit slower at T2.5 for some lengths, however these technical specifics have not yet been officially announced. The source of Sigma's Classic Primes' distinct look is the modified Anti-Reflective Coating formula. It retains the high resolution capability that SIGMA CINE LENS is well known for, and offers a unique combination of low contrast and artistic flare/ghost in the image. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". They’ll still cover Large Format sensors. A special coating is implemented on the front and rear elements so that the lens durability is ensured as with all other cine lenses from SIGMA.“Classic Art Prime” is a new solution from SIGMA that is required for the most advanced technology for classical expression. You must have JavaScript enabled in your browser to utilize the functionality of this website. The 'Classic' lenses will be released for Sigma's 10 full-frame prime set, from 14mm to … SIGMA Cine lenses are for full-frame size sensors and our Classic Art Primes perform perfectly on large-format cine cameras. Evoking a dramatic nostalgia, the Sigma Classic … The F-stop remains 1.4/1.8 respectively. FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors, while achieving outstanding compact design. SIGMA FF Classic Prime Lenses add a new element coating to create creamy, traditional flaring for a unique cinematic look. FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors while achieving an outstanding compact design. Delivery: Summer 2020 Available Exclusively as a 10-Lens Set Based on the same popular optics as the original Sigma Cine Primes, the Classic Line features an all new coating formula; one which provides a truly unique quality not yet seen in a modern cinema lens. "Classic Art Prime" is a new solution from SIGMA that is required for the most advanced technology for classical expression. A special coating is implemented on the front and rear elements so that the lens durability is ensured as with all other cine lenses from SIGMA. Special Notice Regarding Offices and Service Due to Coronavirus, https://www.sigma-global.com/en/cine-lenses/, https://www.sigma-global.com/en/about/world-network/. The Classic Art Prime series is no exception, and the policy is even alive in the logo. Now hopefully we will see a 135 T1.5 from Sigma soon, since Tokina just introduced theirs, and both were saying only a year ago that 135 T1.5 was “too hard”. Visit our COVID-19 page for the latest updates >, $('.money_container', $product).html('' + Shopify.formatMoney(variant.price, $productForm.data('money-format')) + ''); */i is a registered trademark of Cooke Optics Limited used with permission. Fundamentally, AR Coatings are meant to provide efficiency for light to pass through each surface of each lens element. The T-stop is a subject that I’m pleased Sigma addressed. Evoking a dramatic nostalgia, the Sigma Classic ART primes are a very limited production that will set any project apart thanks to their exclusive image character. Open new possibilities for your Sony E-Mount. The SIGMA Corporation is pleased to announce the launch of “FF Classic Prime Line” as a new series in the SIGMA CINE LENS. JavaScript seems to be disabled in your browser. We're open! All Rights Reserved. No word yet on firm pricing. Furthermore, it is compatible with the communication protocol of Cooke “/i Technology”, thus an ideal tool for shooting and editing with the latest technology, such as VFX. Depth of field is determined by the f/stop, not the T-stop. This will greatly contribute to the effective workflow in postproduction. The new SIGMA “FF Classic Prime Line”, although it is based on the same glass, differs quite a bit from their “FF High Speed Prime Line”. If so, you’re in luck! SIGMA FF Classic Prime Lenses add a new element coating to create creamy, traditional flaring for a unique cinematic look. It gives a great view for everything from landscapes to environmental portraits. Careful consideration has also been taken to ensure bokeh is as beautiful and pleasing as possible. Superior image stabilization, in your hands. I would love to read about your findings about the fp as a Director’s Finder. FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors, while achieving outstanding compact design. I have been waiting for something exactly like this, couldn’t have come at a better time. The new mood comes without compromise of the lens construction, bokeh aesthetic, and flawless performance for which the SIGMA Cine line is renowned. Sigma experimented with a wide variety of options in regards to the quality and quantity of coatings, ultimately settling on a simple single layer coating only on the outward facing elements for protection. Cinematographers are pursuing vintage. They want a signature rendering look in their artwork, but it’s extremely difficult to have a complete vintage lens set. Aizu-nuri (Aizu lacquering) was the solution for the "Classic" logo. Read our full Privacy Policy here. The new “Classic” line and the updated PL mounts with Cooke’s /i Technology are pushing SIGMA’s already impressive cine lineup to new heights, allowing for use in the highest budget productions out there, while still retaining the moderately priced DNA that got them started in the world of cine primes. Copyright ©2020 Sigma Corporation of America. Watch the video then decide which better suits your needs. The "look" that FF Classic Prime Line can offer will enable cinematographers to explore new possibilities in movie creation. Copyright ©2020 Sigma Corporation of America. Based on this product line, the FF Classic Prime Line incorporates more non-coated optical elements to achieve unrivaled expression. */i is a registered trademark of Cooke Optics Limited used with permission. FF High Speed Prime Line has been offering the highest resolving power in its class, that is compatible with 8K shooting with large format sensors, while achieving outstanding compact design. Fitting the increased proliferation of full-frame cinema cameras, earlier this year SIGMA has announced two new lines of 10 full-frame PL mount cine lenses each, namely the new “Classic” line and the updated high-speed primes. Drop a comment below if you want to see a dedicated post on the fp as a Director’s Finder. Classic Primes vs. Both lines are based on the same optical designs, ranging from 14mm to 135mm and differing in their coatings, the resulting light transmission values and the inclusion of Cookes /i Technology in the latter line – providing metadata to cameras able to take advantage of it. Most manufacturers have attempted this by offering lesser coatings or simply no coatings. Excellence comes standard with these all-purpose lenses. It covers full frame, it’s mirrorless, and it can fit in your pocket! No spam, guaranteed! This technology enables digital and film cameras to record important camera and lens data for every frame up to 285fps, synced to timecode, such as focal length, focus distance, f-stop, and frame rate. We only send updates about our most relevant articles. That and the Classics are pretty intriguing as well. The F-stop remains 1.4/1.8 respectively. The SIGMA “FF Classic Prime Line” is available only as a full set of 10 lenses, which means it is highly likely that theses lenses are primarily aimed at rental houses.